The historical system of W.B. Yeats's A vision
- Authors: Dampier, Graham Anthony
- Date: 2012-06-04
- Subjects: Yeats, W .B.(William Butler),1865-1939.Vision
- Type: Thesis
- Identifier: uj:2310 , http://hdl.handle.net/10210/4769
- Description: D.Litt. et Phil. , While the historical theory of W. B. Yeats’s A Vision (1925) has received proportionately more scholarly attention than other aspects of the system, the deeper theoretical principles that inform it have not been discussed or analysed sufficiently. Many prominent scholars of the Yeats’s corpus have rejected the need to study the system all together, while others have provided simplified accounts of the historical theory elucidated in Book IV “The Great Year of the Ancients” and Book V “Dove or Swan”. A detailed study of A Vision’s historical theory is sorely needed, as we know little of how it operates at a deeper theoretical level. This thesis approached this lack by elucidating the theoretical foundation that Yeats’s discussion of history in “Dove or Swan” is based on. This required an analysis of Yeats’s idiosyncratic use of the ancient Greek concept of the “Great Year”. Yeats’s elucidation of the “Great Year” derives its distinction from the Automatic Script, which the system of A Vision is based on. In the process, Yeats’s treatment of the evolution of the “Great Year” from Plato through Ptolemy to modern astrologers was discussed. This required a lengthy and thorough examination of the geometry that informs A Vision’s historical system. This geometric scheme is complex and requires careful consideration, for it is easy to confuse the movement represented in each figure. This study provides illustrations that are derived from Yeats’s descriptions of diagrams and from his instructions of how to interpret the movement that occurs within them. This results in diagrammatic representations that have never been utilised and analysed to such a comprehensive extent. A by-product of providing an extensive and comprehensive account of the geometry that informs the historical theory of A Vision is the emergence of a barely discussed, but very crucial, geometric and theoretical component of the historical system, the line of interacting periods. The line of interacting periods represents each historical period and event as being constituted by the Four Faculties; Will, Creative Mind, Mask and Body of Fate. In effect, this line allows for an analysis of the historical system that incorporates not only the Faculties but other theoretical components of the system of A Vision as well, which includes the twenty-eight phases of the Great Wheel and the strife between the primary and antithetical tinctures. When “Dove or Swan” is viewed from this theoretical perspective Yeats’s discussion of history reveals itself to be an application of the system’s fundamental tenets to four thousand years of European history. It tries, in this way, to maintain the internal cohesion of the system as a whole. Every historical event, period and figure signifies the fluctuating dominance of one tincture over the other. Yeats’s emphasis on the development of European aesthetics results in a discussion of movements that seeks to reveal the primary and antithetical components at work during any given period of European art. Yeats’s selective interest in European history and art suggests that “Dove or Swan” is not a complete discussion of the people and events that shaped modern Europe. From one point of view, it represents an amateur historian’s quest to find empirical justification for a theory that he claims to have gleaned from a supernatural source. Seen from another angle “Dove or Swan” represents poet’s effort to apply metaphors, meant for poetry, to empirical historical data.
- Full Text:
- Authors: Dampier, Graham Anthony
- Date: 2012-06-04
- Subjects: Yeats, W .B.(William Butler),1865-1939.Vision
- Type: Thesis
- Identifier: uj:2310 , http://hdl.handle.net/10210/4769
- Description: D.Litt. et Phil. , While the historical theory of W. B. Yeats’s A Vision (1925) has received proportionately more scholarly attention than other aspects of the system, the deeper theoretical principles that inform it have not been discussed or analysed sufficiently. Many prominent scholars of the Yeats’s corpus have rejected the need to study the system all together, while others have provided simplified accounts of the historical theory elucidated in Book IV “The Great Year of the Ancients” and Book V “Dove or Swan”. A detailed study of A Vision’s historical theory is sorely needed, as we know little of how it operates at a deeper theoretical level. This thesis approached this lack by elucidating the theoretical foundation that Yeats’s discussion of history in “Dove or Swan” is based on. This required an analysis of Yeats’s idiosyncratic use of the ancient Greek concept of the “Great Year”. Yeats’s elucidation of the “Great Year” derives its distinction from the Automatic Script, which the system of A Vision is based on. In the process, Yeats’s treatment of the evolution of the “Great Year” from Plato through Ptolemy to modern astrologers was discussed. This required a lengthy and thorough examination of the geometry that informs A Vision’s historical system. This geometric scheme is complex and requires careful consideration, for it is easy to confuse the movement represented in each figure. This study provides illustrations that are derived from Yeats’s descriptions of diagrams and from his instructions of how to interpret the movement that occurs within them. This results in diagrammatic representations that have never been utilised and analysed to such a comprehensive extent. A by-product of providing an extensive and comprehensive account of the geometry that informs the historical theory of A Vision is the emergence of a barely discussed, but very crucial, geometric and theoretical component of the historical system, the line of interacting periods. The line of interacting periods represents each historical period and event as being constituted by the Four Faculties; Will, Creative Mind, Mask and Body of Fate. In effect, this line allows for an analysis of the historical system that incorporates not only the Faculties but other theoretical components of the system of A Vision as well, which includes the twenty-eight phases of the Great Wheel and the strife between the primary and antithetical tinctures. When “Dove or Swan” is viewed from this theoretical perspective Yeats’s discussion of history reveals itself to be an application of the system’s fundamental tenets to four thousand years of European history. It tries, in this way, to maintain the internal cohesion of the system as a whole. Every historical event, period and figure signifies the fluctuating dominance of one tincture over the other. Yeats’s emphasis on the development of European aesthetics results in a discussion of movements that seeks to reveal the primary and antithetical components at work during any given period of European art. Yeats’s selective interest in European history and art suggests that “Dove or Swan” is not a complete discussion of the people and events that shaped modern Europe. From one point of view, it represents an amateur historian’s quest to find empirical justification for a theory that he claims to have gleaned from a supernatural source. Seen from another angle “Dove or Swan” represents poet’s effort to apply metaphors, meant for poetry, to empirical historical data.
- Full Text:
Incarnation and the discarnate states: an exposition on the function of the principles in the system of W.B. Yeat's A vision
- Authors: Dampier, Graham Anthony
- Date: 2009-03-31T09:44:00Z
- Subjects: W.B. Yeats. A vision , W.B. Yeats' criticism and interpretation
- Type: Thesis
- Identifier: uj:8274 , http://hdl.handle.net/10210/2383
- Description: M.A. , The function of the Principles in the system rendered in W. B. Yeats’s A Vision (1937), like most aspects of the system, has received minimal critical and scholarly attention. The reason for this state of affairs is that most Yeats scholars prefer to avoid studying A Vision, for various reasons. The result of this is that little is known of the system. Certain scholars have argued that A Vision is a hoax and an incomprehensible work, which need not be elucidated. The spiritual origin and nature of A Vision are discouraging to critics and scholars, who prefer to interpret the poems that A Vision influenced without referring to the system. This dissertation viewed A Vision as a significant work within the general category of Yeats studies. The system of A Vision is not only useful to interpreting many poems, but is an extraordinary body of work that can be studied in isolation. There is a serious need to elucidate the system, in order to yield more knowledge on this significant aspect of the Yeats corpus. This research aimed at elucidating an important aspect of the system, the function of the Principles. A central premise of the system is that human beings can be classified according to twenty-eight typical incarnations. Every being is set to embody each incarnation. Reincarnation is then central to the system’s account of existence. The primary function of the Principles is to enable an individual being to incarnate, and to pass from one incarnation to the next. Essentially, the Principles are imperative to the system’s exposition on the cycle of reincarnation. To inform its exposition of the Principles, this study delved into the vast body of work produced by the psychical communications, which elucidated the system. These communications are referred to as the Automatic Script. George Mills Harper transcribed the Automatic Script, which was published in the four volumes of Yeats’s Vision Papers (1992). In essence, the Automatic Script is the spiritual and mystical origin of the system rendered in A Vision. For this reason, Yeats’s Vision Papers are crucial to a comprehensive exposition of the system. In addition, this study referred to many of Yeats’s essays on topics ranging from the “ultimate reality” to the Anima Mundi, from the process of symbolisation to the Daimon. Furthermore, various poems were employed to illustrate the importance of the system in interpreting Yeats’s poems. This study defined the state of existence in the transcendent realm, which is imperative to elucidating the function of the Principles in the system. The “ultimate reality” is the source of all incarnate spirits, for this reason it was necessary to describe what is known of this reality. Then the details of the process of incarnation were clarified. The Principles were defined and their functions in the process of incarnation were illustrated. In addition, this study discovered that the Principles do have an effect upon the incarnate being, even though they are passive in life. The function of the Principles during incarnation was elucidated in terms of relation between the Principles and the material Faculties, which are the mediators of the incarnate experience. Scholars who have read A Vision have met the geometry of the system with much aversion. The geometry has been described as flawed and inconsistent. Certain scholars have gone so far as to argue that A Vision makes more sense when the geometry is ignored. This dissertation illustrated that the geometry is imperative to elucidating the system. The geometry is not only necessary to clarifying the system, but aids any attempt to comprehend many aspects of A Vision. Lastly, this study illustrated the function of the Principles in death. The disincarnate states of the soul were explored to illustrate that the Principles define the states between incarnations. Through clarifying the process of death it is clear that, according to the system, existence is characterised by a perpetual return to its point of origin.
- Full Text:
- Authors: Dampier, Graham Anthony
- Date: 2009-03-31T09:44:00Z
- Subjects: W.B. Yeats. A vision , W.B. Yeats' criticism and interpretation
- Type: Thesis
- Identifier: uj:8274 , http://hdl.handle.net/10210/2383
- Description: M.A. , The function of the Principles in the system rendered in W. B. Yeats’s A Vision (1937), like most aspects of the system, has received minimal critical and scholarly attention. The reason for this state of affairs is that most Yeats scholars prefer to avoid studying A Vision, for various reasons. The result of this is that little is known of the system. Certain scholars have argued that A Vision is a hoax and an incomprehensible work, which need not be elucidated. The spiritual origin and nature of A Vision are discouraging to critics and scholars, who prefer to interpret the poems that A Vision influenced without referring to the system. This dissertation viewed A Vision as a significant work within the general category of Yeats studies. The system of A Vision is not only useful to interpreting many poems, but is an extraordinary body of work that can be studied in isolation. There is a serious need to elucidate the system, in order to yield more knowledge on this significant aspect of the Yeats corpus. This research aimed at elucidating an important aspect of the system, the function of the Principles. A central premise of the system is that human beings can be classified according to twenty-eight typical incarnations. Every being is set to embody each incarnation. Reincarnation is then central to the system’s account of existence. The primary function of the Principles is to enable an individual being to incarnate, and to pass from one incarnation to the next. Essentially, the Principles are imperative to the system’s exposition on the cycle of reincarnation. To inform its exposition of the Principles, this study delved into the vast body of work produced by the psychical communications, which elucidated the system. These communications are referred to as the Automatic Script. George Mills Harper transcribed the Automatic Script, which was published in the four volumes of Yeats’s Vision Papers (1992). In essence, the Automatic Script is the spiritual and mystical origin of the system rendered in A Vision. For this reason, Yeats’s Vision Papers are crucial to a comprehensive exposition of the system. In addition, this study referred to many of Yeats’s essays on topics ranging from the “ultimate reality” to the Anima Mundi, from the process of symbolisation to the Daimon. Furthermore, various poems were employed to illustrate the importance of the system in interpreting Yeats’s poems. This study defined the state of existence in the transcendent realm, which is imperative to elucidating the function of the Principles in the system. The “ultimate reality” is the source of all incarnate spirits, for this reason it was necessary to describe what is known of this reality. Then the details of the process of incarnation were clarified. The Principles were defined and their functions in the process of incarnation were illustrated. In addition, this study discovered that the Principles do have an effect upon the incarnate being, even though they are passive in life. The function of the Principles during incarnation was elucidated in terms of relation between the Principles and the material Faculties, which are the mediators of the incarnate experience. Scholars who have read A Vision have met the geometry of the system with much aversion. The geometry has been described as flawed and inconsistent. Certain scholars have gone so far as to argue that A Vision makes more sense when the geometry is ignored. This dissertation illustrated that the geometry is imperative to elucidating the system. The geometry is not only necessary to clarifying the system, but aids any attempt to comprehend many aspects of A Vision. Lastly, this study illustrated the function of the Principles in death. The disincarnate states of the soul were explored to illustrate that the Principles define the states between incarnations. Through clarifying the process of death it is clear that, according to the system, existence is characterised by a perpetual return to its point of origin.
- Full Text:
- «
- ‹
- 1
- ›
- »