Abstract
Mngadi’s novel Asikho Ndawo Bakithi (1996) is a depiction of the South African struggle
towards nationalism, the contradictions that characterise it and the ambivalent nature of freedom. Based
on the postcolonial concepts of dislocation and displacement and anchored on the textual approach, this
article argues that the novelist uses places and spaces as an index to the state of the South African nation,
particularly the natives, before and after attaining its freedom in 1994. The article also argues that,
because of spaces and places, the natives are narrativised as neither belonging here nor there, and as
foreigners in their own land. It also asserts that dislocation and displacement beget fertile grounds for
alienation, and the multiplication of contradictory and hybrid identities. After a brief introduction, the
article defines some of the key concepts before it discusses them in relation to the mentioned novel.