Abstract
This study i) briefly sketches some anti-apartheid arts initiatives of the 1980s; ii) examines the anti-apartheid academic common sense that assumed that ‘real struggle’ could occur only within the labour movement; while iii) both are discussed in relation to early Afrikaner conservative cultural theory. The role of social theory within these sites of resistance is discussed. The article offers a lived methodology by including evocative observations from some social actors who participated in, and contributed to anti-apartheid art, drama and writing. The objective is to draw out debates on struggle rather than to offer a discussion of arts initiatives themselves. These are examined in terms of Albie Sachs’ pleas for discussion beyond the weaponisation of art, one that restores the humanity robbed by apartheid.