Abstract
M.Tech. (Fine Art)
In this study, I explore the way in which materials and biomorphic forms are
used in selected artworks to convey aspects of gendered and cultural identity
constructs. This is done with specific reference to Nicholas Hlobo’s work and to
the artwork I produce as part of the practical component of my research. I have
chosen Hlobo’s installation Izithunzi (2009) because it is a pertinent example of
the way in which he uses biomorphic form and typifies his use of materials,
both of which have some similarities to my work.
Although Hlobo’s use of materials is widely discussed in the available literature
on his work, little has been written on his use of biomorphic form. To address
this gap in the literature, I look specifically at how Hlobo uses biomorphic form
in Izithunzi to represent what I argue to be the hybridity of his gendered and
cultural identity. In the practical component, I present a series of sculptures
made from second-hand furniture, polystyrene, concrete, plastic, stuffing, fabric,
thread, steel pipe and fibreglass. As Hlobo does in Izithunzi, I consciously make
reference to biomorphic forms.