Abstract
M.A.
Lestrade (1949) has already stated that the African people themselves regard traditional praise poems as the highest form of their literary art. Scholars such as Goma (1967), Kunene (1971) and Swanepoel (1983) have already highlighted some aspects concerning the "literariness" of Soho dithoko tsa marena. In this study, an attempt is made to highlight some of the literary features of dithoko within the literary framework established by the Russian Formalists almost a century ago. Focus is placed on the devices used by the traditional composer to create poetic' language, which is different from everyday communicative language. In the study an important vehicle used by traditional composers to create - literariness namely the application of allusion to violate normal language usage is investigated. The interaction between the so-called narrative lines in dithoko and events alluded to in the poems is discussed. Allusion and traditional beliefs are also focused on. The function of poetic devices such as metaphorical language, symbols and poetic diction is also investigated within the framework of the Formalists.