Abstract
M.A. (African Languages)
The aim of this study is to make a critical survey of the
development of Northern Sotho drama and specifically the
treatment of kingship in Marangrang and Tswala e a Ja.
Kingship in real life is usually accompanied by conflicts. The
dramatists Maloma and Makgaleng in Marangrang and Tswala e a Ja
respectively are aware of this fact.' The two texts are based on
kingship conflicts.
Conflict is an important element in drama, especially tragedy.
Kingship is studied under the
Characterization, Plot and Dialogue.