Abstract
M.Tech. (Ceramic Sculpture)
The motivation for this study is the idea that ceramic objects reveal processes of thought and action, form and function, within set parameters. These parameters involved the idea of harmony and balance within a piece of work.
The work speaks of diverse forms and concepts, the columnar aspect being a recurrent theme. All standard forming methods within the ceramic dicipline were used and combined in different ways to 'achieve the desired results.
These methods include throwing, slip-casting, slabforming, pinching, press-moulding, and extruding.
Designs were applied by means of coloured slips, glazes and on-glazes. In some instances the pieces were multiple-fired in order to achieve the desired effect. Sprayed enamel paint was also used, in two instances, where a particular effect was required.
The technical problems of transporting large structures was resolved by the use of modular forms and segmented parts which could be dismantled and reassembled.
Once a permanent site is found, the works will be assembled as follows :-
A concrete foundation will be made. All segments of the column will be cemented together. A core of reinforced concrete will be set into the inner columnar space so that the pieces are structurally sound.
This refers in particular to the Partially Disintegrated Columns I & II. Measurements listed on the drawn illustrations were all taken prior to firing.