Abstract
M.Tech.
This research project endeavours to explore and develop notions of ‘contemporary African
design’. The project focuses on chair design with particular reference to the Senufo
articulated chair from the Ivory Coast. In order to frame the practical research the separate
histories of Western chairs and African chairs are examined for common ground. Ideas of
cultural identity and style as a means of communicating an African identity to the West are
explored. Transculturation and liminality are presented as alternative conceptual stances
from which to overcome conceptual and theoretical problems inherent in the term ‘African
design’.
The research also examines the notion of communication in products and artefacts aiming at
a better understanding of how products and artefacts conceived in one cultural context are
likely to be interpreted by another. A general semiotic theory is used as a starting point
providing a comparison to various other alternate and/or opposing theoretical approaches. A
chair designed in the Western Modernist tradition, Hans Wegner’s 1949 Folding Chair, is
used as a basis for illustrating the applicability of such theoretical approaches. A traditional
Senufo articulated chair is then used as a basis to explore cross-cultural interpretation: the
ways in which one culture interprets the artefacts of another and attaches new and different
meanings to these artefacts because of different cultural assumptions, attitudes and values.
Finally, the insights gained from the theoretical and cultural understanding of the chairs are
used as a basis for putting into practise a hybrid method for design: that of incorporating craft
and design and allowing the two approaches to inform one another. After a thorough
elimination process one design is chosen, refined and prototyped, this choice being rooted
in the theoretical findings in order to develop a new stylistic possibility for African product
design inspired by African cultural heritage.